With its imposing aesthetic heft, the MacBlo Building, as it’s known in Vancouver, appears well-cast as a midcentury Nazi administrative building. Unlearning the lessons of the housing crisis Trump’s administration appears poised to undo many of the protections put in place in the wake of the housing crisis.The art of the New Deal Will Donald Trump stamp his name on the project of a lifetime, a plan to upgrade America’s crumbling infrastructure?.Regime building Donald Trump has at least one thing in common with the fascist leaders of the 20th century: architecture.Will Trump make the trains run on time? Billions of dollars worth of subways, highways, and bullet trains are at stake under the Trump administration.Our cities, our politics How the place you live informs how you’ll respond to Trump’s presidency.With its imposing height, sharp angles, and lack of ornamentation, it had "the right feel for an authoritarian, utilitarian skyscraper that the Nazis would build as an administrative stamp on their new colony," Boughton says. Instead of remaking all of New York City, "We went along with the theory that they would build one major monumental building that would lord over the other buildings in Manhattan." He and his team based the fictitious Nazi structure on Vancouver’s MacMillan Bloedel Building, a Brutalist concrete skyscraper designed by architect Arthur Erickson and built in 1965. Furthermore, they designed the show’s city under the premise that the Nazis had put most of their money into rebuilding Berlin after the war, which Hitler and his chief architect Albert Speer designed extensive plans for in the 1930s and ’40s. That is, if Germany, as the alt-history of the show goes, had won World War II and colonized the East Coast of the United States.īoughton says the show’s creators imagined that New York was not bombed significantly, and iconic structures like the Empire State building and Chrysler Building were left intact. He didn’t even have to look past downtown Vancouver, B.C.-where The Man in the High Castle is filmed for Amazon Studios-to find an example of the kind of visually oppressive architecture that the Third Reich might have built. When production designer Drew Boughton was tasked with creating a fascist vision of the Manhattan skyline circa 1962, he didn’t have to dream up any new buildings.
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